Video Project 1 (2018): School's Out. Spring. I set expectations of myself to the lowest possible and let it snowball from there. Mostly alone in this one, though all characters
make at least brief appearances. Internet video styles like slideshows, collection presentations, media fan commentaries and reviews, vlogs, and parkour compilations.
Video Project 2 (2018): Back to School. Summer. Documentary. Everyone's characters are explored, except Reilly's, who tragically passes away from a fall. Even a year after, high
school is fresh on the minds of the boys as they seek to forge a better path onwards. Matthew vehicles this best, William remains realistic, Jackson pretends nothing is wrong,
and I stand by the sidelines because all I care about is art (but not really). Shiny water.
Video Project 3 (2019): Winter Slush Tunnel Puddle. School and work life during the winter depression, new lows reached. Feature-length exploration through my conversations with
others, along with a Halloween special before (and within) the feature presentation wherein Reilly is revived through evil ritual. With William walking to work, Matthew at the
theatre arcade in the daytime, and Jackson at the coffee shop in the nighttime. Alone in my room, collecting sky waves, reviewing slushies, basking in the false cyan and yellow
of the screen. The characters wield cameras a last time to make their final movie together. A plotless theme-based narrative. Nothing is learned; just kidding.
Video Project 4 (2022): The Band. Mostly filmed summer 2019. Fourth wall established. The length of a season of a webseries. Self-reflection; notable events of
improvised performances, representation a hall of mirrors. Absurd buddy comedy; the experience of suburban friendship in eternally recreational parklife. Our
band, Two Cats, prepares for battle, doing various activities together. Is our coalescence fruitless or unhatched? Meanwhile, William stops by before leaving
again for military college and Reilly and Matt, relatively unburdened, play a game and wander the streets. Some of the making of Two Cats’ Theatre is featured
under altered pretense.